I wanted to make a journal with lines, so I ended up taking apart one of those composition notebooks everyone uses in elementary school to get paper. I did a good job with the binding on this one. The cover is smooth, the bookcloth is cut well and lines up. I took a long time to decide what I would use for the endpapers, and I'm very satisfied with the result.
The only thing I should have done differently are the stitches which attach the signature of paper to the cover. Somehow they got loose enough while I was tying the knot for the signature to move by an eighth of an inch vertically.Today in class Barry told us a horror story about a press which had printed a limited edition book on handmade paper and then sent it out to a commercial bindery. The bindery misread the order form, and so instead of sewing signatures together they bound the book like a cheap paperback. Yikes.
I started to write something in here once but I ended up tearing in out. I guess the elegance of the cover papers is intimidating. My favorite of the three books I made is the one with the most imperfections. I'll be posting about that one shortly.

1 comment:
I've always been hesitant to write in beautiful journals - afraid the words don't merit the container. I end up starting out (always on page 2 or 3, never on page 1) in pencil, which somehow eases the transition.
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